q) Walk us through an intimate Day In your life.
a)Many years ago I prepared my work exhibition in Berlin,
in my studio in
Workshop is in the attic of an old house in a very difficult
which then was forgotten and today is the center of bohemian
I paint pictures there for more than 30 years that stand in all
like in Tutenchamon’s tomb.
Sometimes I did show my work there.
prepared a modest catalog-brochure, despite modest means.
I sent an invitation,
it was a lot of information,
even popular with Berlin's gay newspaper deigned to mark the
The wine was free. Images of eccentric flapping penises on the
It was summer and it was wonderful warmth.
Winter is there otherwise, I
have no furnace and is freezing cold
and I have to paint at fur wearing the
At the vernissage no one came.
I sat all night and
looked at the increasingly doing got dark in my studio.
I was there until
morning, so sitting down.
I not very much wanted me to come back.
As here in the morning someone not closed the
door opens and loads in
and looks at me.
You this artist ?, he asked and lit
the flame lighter.
I saw the divine young man, dressed in some
uniform and a balaclava, around curled in his hand rope,
round brush on long
strings, almost like my brush.
A strange face almost sooty ashes.
At the feet
of the great boots.
He looked at me jauntily, looked at the paintings on
stripped naked, approached me with his penis standing,
as in my
drawings on the walls.
And he said that is the one to whom I had been waiting
chimney sweep from the roof of my studio.
It was a wild sex until
dawn, chimney sweep chimneys
completely forgotten about. Pictures fell off the
empty wine bottles spilled and he relished the artist to the bottom.
Unforgettable hours biggest intimacy.
It was established a series of sketches
on paper stained by
a chimney sweep my sketchbooks, drawn black fingers
overworked body and spots sperm lover.
Under the title: "fertilized
Crazy survival. To this day I'm freezing for no decent heating.
But what we do not do for art !!!!
q)Where did you grow up/where do you live now and
does that contribute to your art?
a)I was born in Warsaw,
the Polish capital during the
day socialism in my country.
I spent my childhood
surrounded by big city.
There was always a lot of people,
there any noisy trams and without interruption
something was happening.
It was not Communism
in my country, the people there are
Unfortunately, they give a great manipulate,
especially by pseudo-religious parole.
There were always ceremonial churches in
my neighborhood, the smell of incense from
the altars and frequent masses,
and I too was an altar boy.
These ceremonies were the
only colored survival
from the time of adolescence,
chcociaz it in the shade rather blas
Later I came into the world,
for me it was too tight.
I needed horizons and settled in West Berlin.
It was this world free of taboos,
absolutely at ease,
I came across an unusual period
in art at the time the New Wild,
expressive and seductive
power reigned in Berlin.
This specific spirit of the times, rebellious,
self-proclaimed, eliminating lock thinking.
I really enjoyed the youth in this city.
He sketched nightlife in clubs gay,
trans-sexual friends of the discos, the guys
from the station for money, underworld of Berlin.
An unusual early period. Left to today,
this feeling of
liberation. I know that this is not everywhere
and for everyone, with a lot of people suffer
from the absence of such
Today I know that I grew up in my art if I'm
to manifest itself today as a sign of tolerance.
q) What is your earliest memory that propelled you to
a)I remember the first moment when
I saw the
block for sketching for children, not even
here it was about the only colored
pencils on the paper .
He excited me in its own way , some sort of vast might
want to touch of it with my fingers, hands.
I remember that I thought that are
leaves from trees ,
or the petals of large flowers, the same rough touch.
this day, when I was working on a paper I have chills ,
as I touched the living
And the feeling of the paper is the value of value.
In the end, the
paper notes are also monetary ,
but also and toilet paper.
q) Tell us a little about your creative process.
a)I often do not know what I'm doing .
It just suddenly comes such a thrill ,
as narcotic addiction , or as the aura of
sexual desire, just when I picked up a pencil or brush.
is like masturbation with crayons .
Similar to drain semen and ejaculate .
On paper , on canvas , on a pallet. Such a creation
of my work is unconscious sexual act .
Several people stated that I myself consciously
invents and draws orgy scene drawn my lovers.
I am constantly watching and then
recall in the situation
of , which excited me ,
it can be a flash of an eye,
unzipped fly passer-by , the bells in the
cathedral crucifix , his lips a strong
black man from Africa in the subway ,
which are similar to lizards,
from generation consumed by the family.
I 'm probably like everybody a medium ,
a magician , receiver or transmitter.
of creativity is always there.
This is just my interior .
q) How do you wish for your art to be perceived?
a)My imagination is showing a document of time,
perhaps even a beacon to the target, otherwise
known as liberation and human
especially in the context of gay love and sexuality.
he wants to reach Preferring to the broad masses that
do not know what
it is able and willing to love otherwise,
and who can not understand the topic
massive propaganda, many capricious and
hypocritical politicians, not
allowing changes in the world.
It's not even change just opening up to new
I want my paintings were icons of freedom,
the new arrays without
commandments but positive description of the life of man.
Of course, this
document is still often the way of the Passion,
because too many heroes of my
paintings still suffer because
of who they are, in the face of environmental
ridicule and drastic destruction of killing.
Let's look at the
world, to Africa,
to the ultra-Orthodox Russia. Unacceptable.
Let my art
announce changes! That what I want!
q) What do your internal dialogues sound like?
a)I am always the person who looking for harmony
with the environment, with each other.
I love to
internal communications. For my it is
a sound pick-visual, and that I see is the sound.
Therefore, internal dialogue means
to my listening
to the silence. This is great wealth,
hear yourself and
do not give handled trifles from the outside.
is a big, bright color sound.
And my art is a showcase
of my soul.
q) Do you feel that there are limitations to what
you want to create?
a)Art has its own great trait that there are no limits,
restrictions or barriers, on the contrary, art is
already the key to all doors.
And for my of course too.
I do not have any resistance in my art,
which I creates.
This is an important historical document,
and shows naked truth and fighting
there are no limits on anything.
The gates are open.
q) Do you feel art is vital to survival and if so,
a)Only art is the form of survival at all.
Even when he is brutally crushed by
despotic fanatics , because the arts are
flourishing world and still rushes
forward, it is unforgettable .
There is always someone about it will be once
Besides, such is the life , art is everywhere and
everyone is art . I
recently passed through
the forest and I found on a forest road
woven by birds nest,
which lost the wind from the trees.
It was ingeniously
at the bottom of the fabulous mosses and
increasingly upwards not have
any noticeable to us forest grass .
It is so vital and unchanging , it is
precisely the art,
an absolute fantastic building schemes and ornaments ,
the manifestation of sly survival and did not give up .
Art will always be a
building block for everyone and
a great comfort and reassurance for everyone.
q) Describe a world without art.
a)A world without art does not exist .
It is art that this world is art .
But even this
multi-dimensional stream of other worlds about
which we know very well and only sometimes
feel and watch , this is the world of art.
We enter the picture just in the soil and then
consider whether to go out on the other side ,
or return the same way . I will not go back .
q) Tell us a secret and obsession.
a)I do not have secrets .
Maybe this is already my obsession .
Very possible ,
however, that is exactly the opposite.
But I get obsessive addiction.
These are some
cities of the world , which notoriously I need to go .
I love this place so much that inhabits them spiritually .
I am inspired by the multiplicity,
these sophisticated forms , each time different, unique.
I love to admire the naked body.
They are like theater,
and I'm just in the audience .
q)your web site....