Interview with PIOTR MARIUSZ URBANIAK
in my studio in Kreuzberg.
which then was forgotten and today is the center of bohemian artists.
like in Tutenchamon’s tomb.
I sent an invitation, it was a lot of information,
even popular with
It was summer and it was wonderful warmth.
and I have to paint at fur wearing the gloves.
I not very much wanted me to come back.
and looks at me.
sexy dark uniform and a balaclava, around curled in his hand rope,
round brush on long strings, almost like my brush.
A strange face almost sooty ashes.
stripped naked, approached me with his penis standing,
as in my drawings on the walls.
chimney sweep from the roof of my studio.
completely forgotten about. Pictures fell off the walls,
empty wine bottles spilled and he relished the artist to the bottom.
Unforgettable hours biggest intimacy.
a chimney sweep my sketchbooks, drawn black fingers
of his overworked body and spots sperm lover.
Under the title: "fertilized slattern".
But what we do not do for art !!!!
how does that contribute to your art?
a)I was born in Warsaw,
the Polish capital during the
day socialism in my country.
I spent my childhood
surrounded by big city.
There was always a lot of people,
there any noisy trams and without interruption
something was happening.
It was not Communism
in my country, the people there are
Unfortunately, they give a great manipulate,
especially by pseudo-religious parole.
There were always ceremonial churches in
my neighborhood, the smell of incense from
the altars and frequent masses,
and I too was an altar boy.
These ceremonies were the
only colored survival
from the time of adolescence,
chcociaz it in the shade rather blas
Later I came into the world,
for me it was too tight.
I needed horizons and settled in West Berlin.
It was this world free of taboos,
absolutely at ease,
I came across an unusual period
in art at the time the New Wild,
expressive and seductive
power reigned in Berlin.
This specific spirit of the times, rebellious,
self-proclaimed, eliminating lock thinking.
I really enjoyed the youth in this city.
He sketched nightlife in clubs gay,
trans-sexual friends of the discos, the guys
from the station for money, underworld of Berlin.
An unusual early period. Left to today,
this feeling of
liberation. I know that this is not everywhere
and for everyone, with a lot of people suffer
from the absence of such
Today I know that I grew up in my art if I'm
to manifest itself today as a sign of tolerance.
here it was about the only colored pencils on the paper .
want to touch of it with my fingers, hands.
or the petals of large flowers, the same rough touch.
as I touched the living entity.
but also and toilet paper.
a)I often do not know what I'm doing .
It just suddenly comes such a thrill ,
as narcotic addiction , or as the aura of
sexual desire, just when I picked up a pencil or brush.
is like masturbation with crayons .
Similar to drain semen and ejaculate .
On paper , on canvas , on a pallet. Such a creation
of my work is unconscious sexual act .
Several people stated that I myself consciously
invents and draws orgy scene drawn my lovers.
I am constantly watching and then
recall in the situation
of , which excited me ,
it can be a flash of an eye,
unzipped fly passer-by , the bells in the
cathedral crucifix , his lips a strong
black man from Africa in the subway ,
which are similar to lizards,
from generation consumed by the family.
I 'm probably like everybody a medium ,
a magician , receiver or transmitter.
of creativity is always there.
This is just my interior .
q) How do you wish for your art to be perceived?
known as liberation and human emancipation thinking,
especially in the context of gay love and sexuality.
do not know what it is able and willing to love otherwise,
massive propaganda, many capricious and
hypocritical politicians, not allowing changes in the world.
It's not even change just opening up to new sentiments.
I want my paintings were icons of freedom,
the new arrays without commandments but positive description of the life of man.
Of course, this document is still often the way of the Passion,
because too many heroes of my paintings still suffer because
of who they are, in the face of environmental intolerance,
ridicule and drastic destruction of killing.
Let's look at the world, to Africa,
q) What do your internal dialogues sound like?
a)I am always the person who looking for harmony
with the environment, with each other.
I love to
internal communications. For my it is
a sound pick-visual, and that I see is the sound.
Therefore, internal dialogue means
to my listening
to the silence. This is great wealth,
hear yourself and
do not give handled trifles from the outside.
is a big, bright color sound.
And my art is a showcase
of my soul.
q) Do you feel that there are limitations to what
you want to create?
a)Art has its own great trait that there are no limits,
restrictions or barriers, on the contrary, art is
already the key to all doors.
And for my of course too.
I do not have any resistance in my art,
which I creates.
This is an important historical document,
and shows naked truth and fighting
there are no limits on anything.
The gates are open.
flourishing world and still rushes forward, it is unforgettable .
Besides, such is the life , art is everywhere and
intricately woven by birds nest,
which lost the wind from the trees.
increasingly upwards not have any noticeable to us forest grass .
and the manifestation of sly survival and did not give up .
Art will always be a building block for everyone and
q) Describe a world without art.
a)A world without art does not exist .
It is art that this world is art .
But even this
multi-dimensional stream of other worlds about
which we know very well and only sometimes
feel and watch , this is the world of art.
We enter the picture just in the soil and then
consider whether to go out on the other side ,
or return the same way . I will not go back .
q) Tell us a secret and obsession.
a)I do not have secrets .
Maybe this is already my obsession .
Very possible ,
however, that is exactly the opposite.
But I get obsessive addiction.
These are some
cities of the world , which notoriously I need to go .
I love this place so much that inhabits them spiritually .
I am inspired by the multiplicity,
these sophisticated forms , each time different, unique.
I love to admire the naked body.
They are like theater,
and I'm just in the audience .
q)your web site....