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lunedì 30 novembre 2009

Warten auf Sol Invictus



The project consist in the realization of a propitious exhibition for the Dies Natalis Solis Invicti, the most important Observance in ancient times, that was celebrate in very different ways all around the planet, but everywhere on 25th December. The collection of the art pieces to expose want to be very heterogeneous, creating so a right and proper homage to Sol Invictus and on the same time a commemoration of all the different celebrations for his “natalis”. EXHIBITING: Alberto Raiteri | Alessia Cocca | Andreco | Ango The Meek Dead | Claudio Parentela | Cristina Pancini | Elena Armellini | Exiff | Francesco Bancheri | Francesco D'Isa | Irina Novarese | Lys Lydia Selimalhigazi | Luiza LaPupazza | Martha Sklodowska | Silvio Streddi

Cell63 artgallery
Allerstr 38
12049 Berlin
www.okidokigallery.com


domenica 29 novembre 2009

Interview with William Emmert





q)Please tell us a brief info about yourself.


a) My name is William Emmert. I'm from Seattle and I trace and paint over magazine clippings.



q)Tell us about your humble beginnings, When did you you first realized that you wanted to be an artist?



a) I first realized that I liked to make things when I was like 9 and the movie Star Gate came out. I was really into the movie and I spent all this time building this Star Gate costume out of card board and hot glue. I loved wearing my cardboard outfit and I loved making it


q)What are your tools of the trade and why?



a)I mostly use whatever is the cheapest. I love bic pens, I only use ball point stationary pens when I'm tracing. I use house paint and spray paint for all my surfaces, and I try to find all the wood and old cabinets that I use. The most important tool I use is the magazines. When picking my images I'm very selective and try to only use material that was printed within my lifetime or that has in some way a personal or historical reference to my family. Right now I'm using a lot of male sports imagery including baseball cards, programs from games, and head shots from sports almanacs. I see this as being a connection to my childhood hero worship and a stand-in for a fatherly figure. It is also about the glorification of talent and the idealized form that it takes.


q)Who or what gives you inspiration on your morbid art?



a) It's not morbid really, However it is strongly focused on emptiness and lack of identity. I'm trying to not only examine the effects of absence over time but how we replace or substitute for it.


q)Is your artistic background self-taught or did you go to college to study?


a) Yes. I have an undergrad degree in mix media studio.


q)How do you keep “fresh” within your industry?


a) I don't really see myself as a part of any industry. I make things alone in my cold garage. I tend to start things because there on my mind or because I become inspired by something.


q)What are some of your current projects?


a)At the moment I'm in a big push finishing up the application processes for grad school.


q)Which of your works are you the most proud of? And why?


a) I wouldn't really say I'm proud of any of my work. That's not to say I don't like it or enjoy the process of creating it, I just don't think I can be super attached to any of the work once its finished. The point I'm the most "proud" of what I'm doing is when I'm in the middle of it. It's when I step back from something I'm making and I see all the thing I could do with it. Once all the decisions have been made I don't really know what to do with it.



q)What do you do to keep yourself motivated and avoid burn-out?


a) I'm motivated by progression. Creating things is kind of a compulsion, so I just do it. I haven't really burned out I guess because I try not to stop long enough to think to hard about it.. .


q)How do you spend most of your free time?



a) More boring things that most people probably don't care about. I like to watch movies.



q)What contemporary artists or developments in art interest you?



a) I'm really into Leroy Neiman. I love his sports painting and his facial hair. I would say I'm into any painter that had great facial hair. I'm also very interested in late 80's/early 90's pop culture.and the products of that era. I'm very inspired by time travel and the first two Back To The Future movies, but not Back To The Future Part III.



q)We really like some of your pictures, how can we get our hands on them? Do you sell them? How?



a) I will trade my stuff for trapper keepers, yearbooks, old magazines or other stuff people have made.

giovedì 29 ottobre 2009

Interview with Everett Peck






q)please tell us a brief info about yourself.



a)I live in Southern California with my wife a dog and a cat. I have three kids, two girls and a boy, but only one is still living at home. He’s currently a senior in high school. These days I’m mostly involved with animation projects and painting. I only do the occasional illustration. I also have a live action movie project that I’ve been developing with Tokyopop. In my spare time I like to mess around with motorcycles, old cars, and surfing.



q)Tell us about your humble beginnings, When did you you first realized that you wanted to be an artist?



a)I grew up in a small beach town in Southern California in the 50’s and 60’s. My first exposure to art, like most American kids of that era, was watching cartoons on TV and comic books. Ever since I can remember I wanted to an artist/animator. I guess I hit the ground drawing and never stopped.



q)What are your tools of the trade and why?



a)I’m a drawer/cartoonist and painter; I prefer drawing with pen and ink on paper and painting on canvas or board. I only use the computer as a secondary tool.



q)Who or what gives you inspiration on your morbid art?



a)I had/have a lot of influences. My earliest where people like Disney and his artists. I especially like Carl Bark’s Donald Duck comics. I also liked war comics like Sgt. Rock written by Robert Kanigher and drawn by Joe Kubert. I really loved Mad magazine and all the great artists whose work appeared there. Mort Drucker and Jack Davis where a couple of my favorites. Basil Wolverton showed me you could get as crazy as you want with a drawing and it will not harm you. I liked the way Big Daddy Roth and Von Dutch could successfully market their art. You can be a good artist AND a good businessman. Later on when I was in high school I got a little schizophrenic in my influences. I was pretty taken with the “underground” art coming mostly out of San Francisco by artists like Robert Crumb and Victor Moscoso. But at the same time I was really enjoying the work of 19th century penmen like Heinrich Kley and John Tenniel. At any rate, it was at this point that I decided I wanted to be an illustrator. I majored in Illustration at Long Beach State. It was there that I learned about the work of Push Pin Studios. I was encouraged by the fact that they were solving design and illustration problems in a really smart way while retaining a personal style.



q)How do you keep “fresh” within your industry?



a)I stay current with the industry by staying in contact with people in the business. That keeps me aware of what people are up to and what’s currently popular. I also like to keep an eye on what people are doing in by reading magazines, going to gallery shows, watching television and checking out websites. I have to say that I don’t worry too much about current trends, as I’m most interested in following my own interests and ideas irrespective of what’s hot.



q)What are some of your current projects?



a)I’m currently developing several animated show ideas and doing a lot of painting. Like I mentioned, I’m also working on a live action film idea.



q)Which of your works are you the most proud of? And why?



a)Well, I like the body of Illustration work I’ve amassed over the years. I really enjoyed making the Squirrel Boy animated series and of course Duckman. I also have enjoyed keeping sketchbooks for many years.



q)Are there any areas, techniques, mediums, projects in your field that you have yet to try?



a)I enjoy working on fairly large canvases and would like to do more painting on three-dimensional objects. I’m also interested in producing animation projects with a different look. I especially like the idea of combining several techniques or processes to create something a bit different that you usually see.



q)What do you do to keep yourself motivated and avoid burn-out?



a)I like to bounce around from one activity to the next. I usually have several things going at once, which helps with the burn out factor.



q)how do you spend most of your free time?



a)Like I mentioned, I lots of interests outside of formal art. I like spending time with my wife and family, motorcycles, cars, surfing, etc.



q)What contemporary artists or developments in art interest you?



a)I think there are a lot of interesting things going on in art these days. There are some interesting animation projects going on. I like several aspects of “Lowbrow” art although it’s probably running out of steam as a movement. But that’s OK; something new will come a long. There are aspects of street art I like, especially it’s directness. Once in while a really interesting graphic novel comes along.



q)We really like some of your pictures, how can we get our hands on them? Do you sell them? How?



a)I do sell images. You can see several on my site; epeck.com. If you would like to see more than represented there, I can arrange that too.

mercoledì 16 settembre 2009

Interview with Miguel Paredes





q) Please tell us a brief info about yourself.


a)New Yorker, now live in Miami.


q) Tell us about your humble beginnings, when did you first realize that you wanted to be an artist?


a)Dad was an Artist, and I’ve been painting my entire life as long as I can remember.


q) What are your tools of the trade and why?


a)Brushes.


q) Who or what gives you inspiration on your morbid art?


a)Dali, Ron English


q) Is your artistic background self-taught or did you go to college to study?


a)Fiorello La Guardia Of Music and Art and then a year in here and there in college

I did an apprenticeship for 5yrs with Paul Kus learned everything with him.


q) How do you keep “fresh” within your industry?


a)Open minded and I stick to my style.


q) What are some of your current projects?


a)Art Basel 2010 in Miami Beach


q) Which of your works are you the most proud of? And why?


a)Los Niño’s 2008 all portraits of my children


q) Are there any areas, techniques, mediums, and projects in your field that you have yet to try?


a)I am looking into doing monumental size mural and sculptures.


q) What do you do to keep yourself motivated and avoid burn-out?


a)I take a break and put the brushes when I need to, I haven’t painted in 2 months

I start tomorrow.


q) How do you spend most of your free time?


a)With the wife and kids.


q) What contemporary artists or developments in art interest you?


a)I admire all artists and respect their work, I like public projects.


q) We really like some of your pictures, how can we get our hands on them? Do you sell them? How?


a) www.miguelparedes.com or my manager sam@paredespublishing.com

And yes I sell my art I have only a few originals available @ the moment everything else is sold

That’s why I start painting again tomorrow.

venerdì 11 settembre 2009

Interview with Adam Zeek





q)Please introduce yourself.



a)My name is Adam Zeek.


q) Where do you live and work?


a)I live in Oregon on the West Coast of the United States. Right now I work construction and carpentry.


q) How would you describe your work to someone who has never seen it?


a)I might tell them it is really colorful or really dark, usually not at the same time. I would tell them it uses familiar imagery but plays it off of unfamiliar settings or surroundings. Geeez, that is a tough question. If they were blind I might suggest listening to some noise music supplemented by some cheech and chong stand up comedy.


q) How did you start in the arts? How/when did you realize you were an artist?


a)My mother has been an active Potter and Artist for over 40 years. Since I was a little child I've been making stuff with her. But only since the age of 20 have I been putting it out into public view.


q) What are your favorite art materials and why?


a) Ooohhh, I love anything recycled. Looking through the trash or going to second hand stores is very inspiring to me. I love looking around at stuff and have it transform into the next project of mine.


q) What/who influences you most?


a) I am very influenced by popular culture. The very concept behind famous people is halarious to me. I love using their images and stories in my work. I am also very inspired by my surroundings. The NorthWest United States has a very prolific and interesting neighborhood of artists.


q) Describe a typical day of art making for you.


a) I guess I don't really have a "typical" day. I like to have a sketch pad or computer handy so whenever the opportunity arises I can jam something out. I think I end up doing most art work at night after I have taken care of all the days activities.


q) Do you have goals, specific things you want to achieve with your art or in your career as an artist?


a) Through art I would like to meet interesting and creative people. Someday I would like the opportunity to travel to another country and have an art show or something. I regularly tell my girlfriend that through all this silly art stuff I spend my time on that someday it will get us a vacation somewhere.


q) What contemporary artists or developments in art interest you?


a) I am very interested in artists that make and produce their own work. People that put on their own art shows or book their own tours. People that print their own zines or release their own music. I love artists with a DIY asthetic. I love artists that don't care where they fit in, they just keep making art because they have to. As for developments in art, I have been interested in intelectual property. I am interested in people owning the rights to music and images. Maybe I just keep up on that topic because I don't wanna get sued for using someone's picture in a collage or some dumb thing like that.


q) How long does it typically take you to finish a piece?


a) It typically takes me less than an hour to finish something.


q) Do you enjoy selling your pieces, or are you emotionally attached to them?


a) I don't think I have ever sold an original piece of art. I make little art zines and sell those all the time.


q) Is music important to you? If so, what are some things you're listening to now?


a) Music is very important to me. I've been listening to Prince Rama of Ayodhya, Meth Teeth, Natural Bridges, Jeffrey Jerusalem, Breakfast Mountain, and ofcourse Dead Moon.


q) Books?


a) I'm reading "Do Androids Dream of Electric Sheep?" It is great soo far.


q) What theories or beliefs do you have regarding creativity or the creative process?


a) You gotta be true to yourself and create whatever your heart desires. Sometimes people are trying soo hard to do something that they lose who they really are. Create from within, don't worry about what others are doing.


q) What do you do (or what do you enjoy doing) when you're not creating?


a) I love playing with my dogs or watching live music. Drinking with friends or joking around and laughing about dumb stuff.


q) Do you have any projects or shows coming up that you are particularly excited about?


a) I've been putting out allot of friends music on my little record label, Oregan Records. I love working on packaging for music releases. I want to keep concentrating on this for a couple moments.


q) Do you follow contemporary art scenes? If so, how? What websites, magazines, galleries do you prefer?


a) I like going to Together Gallery and Grass Hut in Portland. They are nice galleries run by nice people.


q) Any advice for aspiring artists?


a) Believe in yourself and just keep creating. Make stuff everyday.

q) Where can we see more of your work online?


a) www.NorthWestoftheNation.com


Thanks Claudio

sabato 5 settembre 2009

Interview with Paolo Giardi





q)Please introduce yourself.


a) My name is Paolo Giardi and i'm an artist. Well, i'm a bit of a factotum really... I can be many other things on demand: illustrator, window display designer, stylist for photo shoots, printmaker. Whatever involves creativity and a bit of fun. I've never done photography though, but i am working on it...


q) Where do you live and work?


a) I'm originally from Florence, Italy, but i have been living in London for the past 12 years. Currently based in Battersea. There is one room in my house dedicated to art, as a thinking/working little pad. I have tried working in a proper studio, somewhere outside, but it did not work for me.... i like having access to my things day and night since i'm not a 9 to 5 kind of person.


q) How would you describe your work to someone who has never seen it?


a) I like the word absurd. Maybe evocative, slightly unsettling. I tend to use, in my montages, lots of images taken from magazines and books. I select the ones that most stand out for me, and maybe have colt the imagination of other people too. I combine them using familiar languages, i don't know, sometimes Modernism and propaganda posters, sometimes illustration, sometimes using more classical kind of compositions. I want my work to have the emotional quality of a picture in someone's family album, a forgotten family album. Or in some instances, of a photograph that was never taken. A play on memory and perception.


q) How did you start in the arts? How/when did you realize you were an artist?


a) I left school really early in life. At one point i thought i could have a great career as an accountant, despite the fact i never really understood math at all... That is when the epiphany occurred, and i started signing up to all these short courses: fashion illustration, still life drawing, etching ecc. I ended up at the Accademia di Belle Arti in Florence studying painting. Great times. It felt like finding my purpose in life again. Somehow, as it often happens, at one point i seem to have forgotten the fact that i spent all my childhood drawing lovely pictures of glamourous 1920's actresses. And making home made paper dolls. And my love affair with cut and paste.....


q) What are your favorite art materials and why?


a) As i said before, scissors, glue, magazine cuttings and paper are the materials i always go back to when i need a bit of inspiration and a quick artistic fix. I use montage as a starting point for paintings, for mood boards, to make intricate artist books. I like the sense of fragility and precariousness of paper. And i also like the unexpected and unintentional analogies that comes with collage making. My imagination would never be as prolific and witty without the helping hand of pure chance....On the other hand, i am still quite fond of painting and often to go back to unnecessarily complicated techniques of canvas preparation and oil mixes. I suppose i still have that old romantic vision of the artist/alchemist... dangerous territory...


q) What/who influences you most?


a) Personal experiences and memories. Collective phenomena and traumas. And a lot of history of Art. Dada has always been a great love of mine. Marcel Duchamp. All the jokes he was playing to his friends and to his audience. One of the best memories i have: a Dada exhibition at Tate Modern in London, this guy, all by himself, laughing his head off in front of Duchamp's "Roulette de Monte Carlo". Total genius. Laughter is always a great starting point, in art as in life. Charlie Chaplin, Lauren and Hardy. Everything that makes people smile. A smile and a cringe. Make someone feel at ease, and then stab him with a knife. Artistically speaking, of course.


q) Describe a typical day of art making for you.


a) My typical day would be: think, read a bit, think a bit more, write down a couple of notes, tear some cuttings out of magazines, file them in catalogued order, have a rest.... tomorrow i will start on that life changing project... and quit smoking...


q) Do you have goals, specific things you want to achieve with your art or in your career as an artist?


a) Keep working, i suppose. And keep doing work that is somehow relevant. In art as in any other creative field. I would hate to end up getting lost in my little own world, you know, repeating myself endlessly. Recognition is great, but is not the driving force. The act of making something, whatever that will be, is enlightening for the human soul. (or maybe not)


q) What contemporary artists or developments in art interest you?


a) Paul McCarthy, Raymond Pettibon, Thomas Hirschhorn. I don't know... so many. When i work, i try not to look around too much, it confuses me a bit. My attention span is quite limited as well, so, what i thought was magnificent today, tomorrow i will probably dismiss it as boring.


q) How long does it typically take you to finish a piece?


a) For montages, really quick. For paintings, ages...


q) Do you enjoy selling your pieces, or are you emotionally attached to them?


a) No emotional attachment whatsoever. A finished work is an object, a product. Selling a piece is as good for your self-esteem as it is for your bank balance.


q) Is music important to you? If so, what are some things you're listening to now?


a) My taste in music is totally postmodern. I listen to opera, jazz, pop (remember my short attention span?). Lately i've been listening to some old David Bowie, as well as some new british groups like Golden Silvers and The xx, a scarily young group from south-west London. My i-pod compilation is a real eclectic mix though...


q) Books?


a) Books tend to collect dust. They give you itchy eyes... still they are extremely important. Lots of Chuck Palahniuk. So many different ideas all packed together. He writes in a very visual style, with funny yet disturbing stories. Great reading. The book i tend to go back to, when i need some comfort reading, is Marcel Proust's Recherche. It sounds a bit old fashion, but you will be surprised how much of everybody's life, friends and yourself, you will find in there. Real life changing (for the best and the worst) reading.


q) What theories or beliefs do you have regarding creativity or the creative process?


a) Everybody is an artist sounds incredibly cliche' yet full of promises at the same time.


q) What do you do (or what do you enjoy doing) when you're not creating?


a) Watching movies, surfing the net (and not always for pedagogical purposes), looking at trees, talking to people, flipping through magazines, looking at my new wedding ring. And dreaming of a better life on a beach in some exotic island... you know, Paul Gauguin style...


q) Do you have any projects or shows coming up that you are particularly excited about?


a) At the moment i am working with a couple of very good friends on the official launch of Less is More projects, a non profit art organization based in Paris. It will be launched with a curated show, held at the Slick Art Fair 2009 in Paris, at the end of october. I can't wait to see the end result. You can find more infos on the website www.lessismoreprojects.com.


q) Do you follow contemporary art scenes? If so, how? What websites, magazines, galleries do you prefer?


a) I am really lazy when it comes to visiting shows... all that effort for a little reward... i'm always afraid of wasting my time. But i like attending BIG Art Fairs, like Frieze and Zoo in London, the Biennale, Documenta. Being bombarded with all those different artistic universes. That's a real buzz. One of the websites i visit for some fun visuals and new music is www.nuevosricos.com. The graphics belong to great mexican artist Carlos Amorales. I am not too keen on art magazines...


q) Ask yourself a question you'd like to answer, and answer it.


a) Your favorite quote? "I wanted to be a tap dancer", Andy Warhol.


q) Any advice for aspiring artists?


a) I wish there was a recipe that everyone could follow. Keep your feet firmly on the ground, and let your imagination do the rest. Maybe start with sleeping with a curator?...


q) Where can we see more of your work online?


a) My website is www.paologiardi.com.

Also check www.lessismoreprojects.com and

www.whitecrossgallery.com.

lunedì 24 agosto 2009

Interview with Sakura Maku






q)Please introduce yourself.


a)Hello everyone, I am Sakura Maku. I’m an artist. Thank you for reading this interview.


q) Where do you live and work?


a)I live in the East Village, and work in Brooklyn. I love New York City.


q) How would you describe your work to someone who has never seen it?


a)Much of my work involves painting and screenprinting. I like to work large, maybe because I am attracted to the idea of making something bigger than myself. Like looking up at a skyscraper. I also make small drawings that make up narrative comics for various publications. My most recent comic is in the third issue of Windy Corner Magazine, edited by Austin English.


q) How did you start in the arts? How/when did you realize you were an artist?


a)I wanted to be an artist at a young age. I forgot about this in high school, but made it to New York City in 2000. After art college, I realized I want to be an artist for the rest of my life.


q) What are your favorite art materials and why?


a)My favorite art materials are paint, silkscreens, and squeegees. I got into screenprinting in New York, and never let it go. It’s a very versatile practice, that I feel comfortable with, so much so, that I am able to challenge myself to take it further consistently. I started out printing editions on paper, and now I print on paintings, for large-scale installations, anything worthwhile for me. I also love to draw with india inks, nibs, and brushes.


q) What/who influences you most?


a)Artists who use screenprinting to enter into a contemporary painting vocabulary influence me most. For me, Eduardo Paolozzi started it all. His As Is When series is as incredible as Hogarth’s etchings, but for me more urban, abstract, colorful, and exciting. When my grandmother and I first saw a very large painting by Peter Halley at the inaugural exhibition of the Nagasaki Prefecture Art Museum in 2005, I was speechless. Recently, I saw work by Guyton/Walker at Greene Naftali, which blew me away! Needless to say, their work is completely in salute to Paolozzi, among others.


q) Describe a typical day of art making for you.


a)On a typical day of art making, I would either be drawing and planning at home, printing at the printshop, and/or painting and putting things together in my studio.


q) Do you have goals, specific things you want to achieve with your art or in your career as an artist?


a)I like to make work that I envision in my mind, and then let the rest develop as I go. The development is something I want to become a higher level of practice for me, more so as my career as an artist evolves.


q) What contemporary artists or developments in art interest you?


a)I do love to see video as art more and more. Patty Chang’s Shangri-la piece at the old New Museum in Chelsea in 2005 was an eye-opener for me. I am a huge fan. I also keep up with the work of Laurel Nakadate, though it seems she’s entered more into the featured film route these days. I loved the slow-motion self-portrait fireworks piece in the Greater New York exhibition at P.S.1, in 2005.


q) How long does it typically take you to finish a piece?


a)If I choose to, I can work on a piece for over a year. Most of my work takes a few months.


q) Do you enjoy selling your pieces, or are you emotionally attached to them?


a)I think everyone enjoys selling their work these days in this economy. But it’s okay if I don’t and get to keep things. On many occasions, having a piece around triggers new work in response to it, that might even include the original. And if I sell work, I buy new materials and move on. It’s beneficial either way.


q) Is music important to you? If so, what are some things you're listening to now?


a)Right now, Michael Jackson, Miles Davis, and Lil’Wayne are on rotation in my ipod.


q) Books?


a)Currently I am reading The Prospector, by JMG Le Clezio. It’s a romantic story about travelling at sea, something I rarely do.


q) What theories or beliefs do you have regarding creativity or the creative process?


a)For me, a high level of production comes and goes, and comes back again. Don’t be afraid to dive into that downtime, dig deep and experiment. It’s a cycle, and downtime is more of a nesting phase.


q) What do you do (or what do you enjoy doing) when you're not creating?


a)I enjoy looking at art a lot. Otherwise, I like to cook, walk around the city, and spend time with good friends.


q) Do you have any projects or shows coming up that you are particularly excited about?


a)Currently, I am included in a group exhibition called Octet at the Pera Museum in Istanbul, curated by the artists Peter Hristoff and Suzanne Anker. I think of my work as very American, and it’s always exciting when my work travels to different parts of the world.


q) Do you follow contemporary art scenes? If so, how? What websites, magazines, galleries do you prefer?


a)I regularly follow the critics from the New York Times, and Saltz from New York Magazine. I try to make it out to as many openings for colleagues as possible in the city. I also attend openings for artist who I don’t necessarily know personally, whose work I admire.


q) Ask yourself a question you'd like to answer, and answer it.


a)Q: Who taught you how to screenprint?

A: I met the artist David Sandlin in New York, who generously taught me, among many others, how to screenprint and make books. Better yet, David, an Irish-American, hillbilly-Loisaida artist, has instilled in me a deep love for living and working in New York City. Thank you!


q) Any advice for aspiring artists?


a)Take risks, move forward, and don’t look back. Be nice. Clearly, this is advice for myself as well.


q) Where can we see more of your work online?


a)Thank you for asking, www.sakuramaku.com.